CES 2013: Three Children's Photography Tips from Jack Reznicki

This year was my tenth visit to CES, and while I still love looking at all the latest products the thing I've been taking more advantage of at the show is all the free learning. Many of the companies, especially the companies that sell products to people who make things, offer demos that turn out to be more like master classes. For photographers Canon offers some of the best of these lectures, and one of them this year was from one of their "Explorers of Light" Jack Reznicki.

Jack is a professional photographer who is well known for his images of children, and while many of these children are professional models he still has to use plenty of "tricks" to make the image he is going for. These are what I think were the top three tips he spoke about that most parents (or anyone taking pictures of kids) would want to know.

1. NEVER TELL KIDS TO SMILE
   This is pretty much the opposite of what all of us do as parents when we're trying to take a photo of our kids. But Jack explained that when you tell a child to smile, what you get is a forced, unnatural smile. He said to instead look for how kids are reacting to what is around them. Tell them a joke, come up with funny phrases ("fuzzy pickles" was one he uses) or ask a funny question like "Are you married?". Basically don't don't be afraid to be silly and do whatever it takes to get the reaction you want. A photo of a child laughing is the natural smile that's going to make the best photo.
2. IF KIDS ARE CRYING, LET THEM
   You don't want a child to get to the stage of uncontrollable, red-faced bawling, but often you can get uncomfortable tears to go away if you just let them cry for a little bit. You can also use that opportunity to take some photos of them crying or upset, because the image you don't expect can often become your favorite.
3. TELL THEM TO SPIN
   This one was my favorite trick he gave in the lecture. Taking pictures of children standing up or sitting down can be static and boring, but in the lecture Jack showed some great images of children that he had made by asking them to spin around. After one quick spin around he'd take the picture of them off balance (and often laughing because it's a funny thing to do) and the images looked really fresh and fun. Check out this image from his website.
4. BONUS TIP! - IT'S ALL ABOUT THE CHEERIOS
   Babies love Cheerios. If you're trying to get an image of a baby who isn't doing what you want them to, introduce some Cheerios in the mix. Jack had one image of very young children looking down into a doll's crib, but what you couldn't see is that they were looking at a doll's crib full of Cheerios. He showed another with a small toddler walking to a woman not because the woman was the child's mother (the woman was a model) but because the woman was holding a hidden Cheerio in her left hand. It's a trick for sure, but the proof was in the images.

Check out Canon Explorer of Light Jack Reznicki at his personal portfolio site Reznicki.com or at his Explorers of Light page at USA.Canon.com

Share the Photos From Your Kid's Camera Instantly

This is such a simple idea, I'm disappointed in myself that I didn't think of it first. I've written about the awesome Eye-Fi memory cards before - the cards that connect to any WiFi hotspot and automatically send the pictures you've taken to wherever you want - Flickr, your home computer - wherever. It's a cool idea (especially for backup) but I never bought one because I like to edit and process my photos before I share them with the world.

So this year Santa brought my oldest daughter (six years old) a camera for Christmas. Not one of those crappy Fisher Price cameras (of which we've had two and one never even worked) but a real point-and-shoot camera from Canon (in pink, of course). I also got her a regular 8GB memory card to go with it. (The bigger card is mostly for the videos, of which she takes a LOT. I blame iCarly.)

Then a couple of days ago I was reading the latest newsletter from Photojojo, which was about how putting an Eye-Fi card into your kid's camera and connecting it to their own Flickr stream

will let them instantly share their images with the world (or your family at the very least). Apparently blogger Jason Kottke is doing this with his three year old son and wrote it up in a blog post that Photojojo found. 

It's a great idea for a few reasons. Being able to instantly share the images, my daughter will be able to get feedback from her family about what she's doing, which I hope will further encourage her to create new images. Selfishly, I'm excited about it because now I won't have to deal with going through, editing and uploading the pictures she takes. People can drop in on her Flickr feed whenever they want to see the things that she is seeing without any involvement from me. Plus, it will all be backed up. Awesome.

A 4GB Eye-Fi card only costs $39.99 on Amazon.com and the 8GB card costs $79.99. The pro version costs $119.99, but it's still 8GB and is really only for people with cameras that primarily shoot RAW (as opposed to JPEG) files.

$40 and I don't have to go through all my kid's photos on a regular basis? That sounds cheap to me.

Related Posts (written by Chris Ford):

CES 2011: A Mobile WiFi Hotspot in Every Camera with Eye Fi [Babble.com]

Using a DSLR in Disneyland (or Disney World)

A trip to a Disney theme park with the family is one of those occasions when you know you're going to take a lot of photos. If you don't have a camera that can switch out lenses, then just bring your compact point and shoot and count yourself lucky that there's one less thing you'll have to lug around. But if you want to bring your "big" camera with more than one lens, then there are a couple of things to keep in mind when you're considering which lens (or lenses) to bring.

Versatility
Walking around the park, you're going to face all sorts of photo moments. Sometimes you're going to want to try to get a wide shot of Sleeping Beauty's castle, and sometimes you're going to want a close-up portrait of your kid on the carousel. So a good, versatile zoom lens is the lens that you'll be using the most at the park. I use a Canon 24-70mm, and with the 1.6x crop factor (due to the sensor size on my camera) I get an effective focal length of 38-112mm which covers a great range of shots. You might be tempted to rent something big and crazy like a  70-200mm lens, which might be fun but is kind of overkill. At Disneyland, and Disney World I'm assuming, there aren't that many moments where you are going to want to take a really long shot. And you'll likely find that 70mm isn't nearly wide enough in many situations (I have enough problems at 24mm).

Fast Glass
"Fast Glass" is just a nerdy thing photography people say to describe a lens that has a wide aperture. A wide aperture lets in more light, and more light means the shutter speed can remain "fast" even in low light situations. At Disneyland, this is essential, especially if you're taking pictures of your kids. You're going to take plenty of pictures outside during the day, but you're also going to take plenty of pictures inside (restaurant, rides etc.) not to mention at night. Having a lens that will allow you to avoid using the pop up flash - or bringing an external flash - is awesome. I always bring my favorite Canon 50mm f/1.4 lens, and when we're watching the parade at night or I want to take pictures of my girls in "It's A Small World," the 50mm always delivers.

Other Disney DSLR Things To Consider
Don't bother trying to bring a tripod unless you really want to lug that thing around all day. You can try a beanbag or something like that, but honestly there aren't many places you're going to want to use one. I don't even bother with my Joby Gorillapod - it's just too annoying. If you're concerned about getting pictures of the whole family (including you) avail yourself of the many Disney Photo Pass photographers. They know how to handle your camera - just be smarter than I was and make sure auto focus is turned on.

Get a good camera strap that is comfortable and ditch that strap that came with your camera. Those straps are uncomfortable and all they do is advertise to thieves that you're walking around with an expensive camera. I've used affordable, normal straps from Op/Tech and like them, and now I'm using a shoulder strap from Black Rapid that I really, really love.

Use the smallest camera bag possible, but still bring a bag. I use an older version of this bag from Tamrac. It fits my camera body with my zoom lens attached, and there's enough room at the bottom for my 50mm. I also bought a water bottle attachment for the side, and I ditched the water bottle and use the attachment to hold my drink, my kid's water or whatever else I need to throw in there in a pinch.

Oh, and make sure you bring twice the memory cards you'll think you'll need (on the trip, not necessarily to the park) and a backup battery. Trust me. The real work comes when you get home and have to go through all the pictures you've taken.

RELATED POSTS (from Chris Ford):

Tips for Surviving a Weekend at Disney (with the Kids) [Man of the House.com]